The opening movement from the larger work "Missa Romantica," this gently flowing setting of the Kyrie text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in
Extracted from the third movement of the larger work "Missa Romantica," this setting of the traditional Sanctus text in Latin appears in two versions: the first is accompanied as it appears in the larger
The final movement from the larger work "Missa Romantica," this beautiful setting of the Agnus Dei text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in the
Extracted from the fourth movement of the larger work "Missa Romantica," this setting of the traditional Latin text appears in two versions: the first is accompanied as it appears in the larger work; the
This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for
Text from Zephaniah 3:17 and accompanied by piano and oboe. This piece was commissioned and performed by the North Texas Metroplex Children's Choir.
The opening movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,
The third movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,
Perfect as a closer for any concert or performance, this homophonic, a cappella setting is rich in harmonic texture and has a lovely and memorable melodic line. "Though you leave here today and your shoes
The second movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,
The fourth movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,
This choral excerpt is drawn from the last of four movements of Mendelssohn's setting of Psalm 115 (Opus 31). Largely homophonic, with some contrapuntal sections and a driving piano accompaniment. Both
Long flowing melodic lines with lush wonderful harmonies above a flowing arpeggiated piano or harp with flute. Translation and flute part are included in the octavo. An absolutely stunning arrangement for
Featuring a text ascribed to St. Ambrose (340-397), O Lux Beata Trinitas is an a cappella choral work for SATB divisi voices, suitable for concert or contest settings. Your choir and audiences will